Great track! It inspires me to attempt similar at some point (though I suspect imminent failure). The bed of voices is great! I could use some more highs in the mix in general. A little bit of sparkle on the upper end will help the bass drum cut and will make those high hats really punctuate those triple to duple hiccups. Maybe mix the handclaps a little higher as well (or use them to trigger sidechain compression so the rest of the track ducks a tiny bit when they hit)? Those end up being sort of like fenceposts that the stretchy taffy of beats you have going on get wrapped around. Thinking of them like landing spots in the track will really make this fucking kick.
All in all, really fucking great. You handle tension and release expertly. Looking forward to hearing more.